Blindness

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Fully revised and updated since its first publication in 2011 to encompass further appalling instances of Wilful Blindness: Grenfell Tower, Carillion, Harvey Weinstein, Windrush and many more. Within this collapsing society, however, a little group of seven people begin to work together to regain a modicum of humanity. The leader of this group is the Doctor’s Wife, the only sighted person in the novel, who has accompanied her ophthalmologist husband to the asylum, even though she is not blind. Her eyesight gives her practical and moral advantages. This sighted woman allows Saramago to explore not only the meaning of blindness but also the meaning of vision. She is instrumental in organizing the group, to keep it safe and fed, in addition to providing spiritual lucidity; she never loses her sympathetic feeling or her moral intelligence. Blindness in this regard is associated with the death of the heart and with the loss of concern for other human beings; the sight of the Doctor’s Wife, on the other hand, is associated with compassion and the retention of an innate moral compass.

That is a tragic reflection on humankind. We turn to mass blindness in periods, not because we are physically unable to see, but because we DO not see. We can see, we have the tools for seeing, but we do not use them - not as long as the cars keep moving when the traffic lights turn green. We only start to see that we do not see when we turn blind and there is a disruption in our unseeing complacency. An early band of affected citizens is sent to a mental ward, in the hopes of containing this sudden epidemic of blindness. Only one among them can see, a woman as unnamed as anyone else in the story, but we come to know her as “the doctor's wife.” Part of the reason is that the brain's cognitive limits don't let us absorb everything we encounter, she writes, so we must filter what we take in. It is easier for me to lambaste a book when it is a translation; after all, maybe it is not the author who should be held accountable for the text’s flaws. Whether or not the translator is culpable, Blindness indeed has many flaws. A particularly bad band of men emerges, thieves and criminals who were probably bad before they were caged like animals. Now they want to take and break everything in the asylum, including the women.An outdoor performance adaptation by the Polish group Teatr KTO, was first presented in June 2010. It has since been performed at a number of venues, including the Old College Quad of the University of Edinburgh during the 2012 Edinburgh Festival Fringe. As the world goes blind the wife of the doctor is left unaffected. She continues to help where she can, but is reluctant to let everyone know she can see. She would be a slave to the group if they ever found out she could still see. She breaks out with a group of people all identified by their past professions or by some other identifying marker. We never do learn any of their names as if their identities have escaped them with their loss of vision. Things that made us human are gone. Faces don't matter. Names don't matter. Homes don't matter. Possessions don't matter. Shame and modesty are gone. Medicine is useless. Government is useless. Morals seem obsolete. Empathy is gone. Is anything left? Anything inside us? Blindness" is the most captivating novel I have read in a long time, but also the one I closed with the most generous relief. It's an oppressive and nauseating atmosphere. Just thinking about it gives me goosebumps!

Access-restricted-item true Addeddate 2010-06-21 22:12:43 Boxid IA118613 Camera Canon EOS 5D Mark II City San Diego, CA Curatenote shipped DonorAnyone who is going to die is already dead and does not know it, That we're going to die is something we know from the moment we are born, That's why, in some ways, it's as if we were born dead, ……. The inmates have been split into groups by rooms. After the valuables have been exhausted as a bartering tool for food and water the thugs tell the groups that if they want to eat they need to send their women to them. Hunger is all consuming. When you are hungry you can not think about anything else other than finding food. Your body, as part of our survival instinct, makes you very uncomfortable. We can all say what we would be capable of doing and not capable of doing when we are sitting in a bar casually munching on free peanuts and pretzels between pints of beer. The fact of the matter is most of us have never felt real hunger. We have had moments where our stomachs rumble or experienced a headache due to a missed meal, but true hunger, not eating for days hunger we can only speculate about what that is like. I will finish this review with the plea in the epigraph for this thought-provoking eye-opening (no pun intended) book: "If you can see, look. If you can look, observe." Please, do. Let's try to look past our own blindness and actually see.

In 2007 the Drama Desk Award Winning Godlight Theatre Company [4] staged the New York City theatrical premiere of Blindness [ citation needed] at 59E59 Theaters. This stage version was adapted and directed by Joe Tantalo. The First Blind Man was played by Mike Roche. [5] [6] Third: Unfortunately, the only constant that the narrative voice does have is a meaninglessly verbose style. While I laud Nabokov for one sentence that appears to be a paragraph, that is only because that sentence is composed of so many beautiful parts (all punctuated correctly, no less) that work together to create an even more beautiful image. This writing is more akin to the wandering, rambling speech of Grandpa Simpson which, while hilarious on The Simpsons, has no place within this story.

We don't know why it happened - whether it's a test, a warning, or a punishment. Instead, we get a nagging haunting feeling that the real blindness was there all along - the blindness towards the others, the blindness towards our real selves, and the physical blindness served as a way to unveil it. What was always there but went unseen before because it used to be easy to shrug off. Fear. "Us against them" attitude. Greed. Contempt. Hatred. Selfishness. Love of power. Cowardice. Apathy. Isolation. Filth. Rape. Murder. Theft. Ignorance. Indifference. Blaming the victim. It was all already there, and blindness amplified it. And, as society decays and falls apart, the question of what is means to be human comes up.

This fiction's strangeness must accentuate by the Portuguese writer's particular syntax in which the comma is queen. As the devil himself paws at the doctor's wife with his cloven hooves, wanting to do great harm to her, he concludes, “This one is on the mature side, but could turn out to be quite a woman.” An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

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I read the book and watched the film. I didn't find Saramago's style easy to read. Extremely long sentences, endless paragraphs and an idiosyncratic grammar made me have to concentrate on the reading more than the subject matter. It was worth it, but written in standard English I think I would have enjoyed it more. The film was a good, standard, Hollywood film meaning it appeals to the masses, has pretty people and no depth and has been designed to make money. I quite enjoyed it, but am glad I read the book first. Someone once said: "You are who you are when no one is watching." And in this world, no one is watching. Fear reigns and some will choose to exploit the fear or succumb to it. I thought it was a frightening and believable portrait of the disintegration of society. José Saramago (1922–2010 ), one of Portugal’s most famous writers, was awarded the Nobel Prize in literature in 1988. His novel Blindness is considered one of his most outstanding literary achievements. A speculative parable reminiscent of Albert Camus’s The Plague, Blindness examines the reasons for a mysterious social and moral breakdown in a typical modern city. Saramago’s narrative uses the literal blindness of almost all the inhabitants of his city as a political, psychological, and spiritual metaphor.