instax mini 9 Camera - Flamingo Pink,16550542

Product Information

As with the Instax Mini 9, you see subjects through a small optical viewfinder window with a magnification of 0.37x. For selfies, a small mirror is integrated right next to the lens. To activate the selfie mode, pull the lens out to the selfie-on mark. The focus range is therefore between 0.3 and 0.5 m, so you can also take close-ups with this setting. An additional close-up lens, such as the one supplied with the Instax Mini 9, is therefore no longer necessary. The Popular Instax Mini Size It's because the auto exposure system can now vary the shutter speed between 1/2 and 1/250, so it should be able to capture the right amount of light in all shooting scenarios. This is a big step up from the Mini 9's fixed 1/60 shutter speed, and helps massively when shooting indoors. Instax film tends to produce pastel-like colors and soft-focus details, giving your photos that unmistakable instant feel, though they tend to be more true-to-life than rivals including Polaroid or Lomography. You're not just paying for the old-school vibe though. Bulb modes ensure you won't get pictures that are too blurry or dark. On the other side of the scale, this is the first Instax Mini camera that allows you to turn off the flash, meaning you won't get any images with way too much white light. A double-exposure mode allows you to put two images on one piece of film too. The fixed focus lens manages to keep the majority of portrait and middle distance shots looking crisp, while landscapes can appear softer and more dreamlike.

The front grip is narrower, and there's now a ridged thumb grip on the rear for easier one-handed use. Beyond the lens barrel release, which also acts as a power on switch for the built-in flash, the only other button is the shutter release. Push the lens barrel release and it extrudes using a spring mechanism, with the built-in flash activating automatically. There's no way to disable the flash, no self timer, and no tripod thread on the bottom. This is about as simple as instant cameras get.There's no way to manually disable the flash, which fires automatically with every shot – whether it's really needed or not.

The off-center viewfinder can also make light flares an issue when shooting towards the sun. What might seem well-composed can actually have direct sunlight hitting the lens. With no need to manually adjust the exposure settings every time the lighting situation changes, the Fujifilm Instax Mini 11 has a much greater hit-rate when it comes to correctly judging a scene than the Mini 9, although the nature of Instax film means overblown highlights are still common.It's an issue we've seen in other instant cameras, though, so it's more of a learning curve for the photographer than a failing of the camera. Instax Mini 11 is Fujifilm's new entry-level snapshot for instant photos in the Instax Mini format. It is the first model in the lower price segment to have automatic exposure control. This measures the ambient light as soon as the shutter button is pressed. By automatically adjusting the shutter speed and flash intensity to the prevailing conditions, the camera reveals more detail right from the start. Easy to Use Selfie Mode The Fujifilm Instax Mini 11 improves on the previous generation Instax Mini in meaningful ways, making instant photography more accessible than ever with a largely accurate auto exposure system and an adjustable lens that works for close-ups and selfies as well as portraits and landscapes. If you're looking for something with a more retro feel then it's hard to beat the Fujifilm Instax Mini 90 and its traditional leather-style binding. As you can see in the price comparison chart below, it's also the most expensive of the Instax Mini cameras in Fujifilm's range. Speaking of selfies, now giving the lens barrel an extra pull extends the lens ready for close-up shooting. It's a much simpler system than the Mini 9's easily forgotten clip-on attachment, though you have to grip the lens barrel awkwardly to close it up again, otherwise you end up turning the camera off completely.

Those can appear far more dream-like, while Instax appears more natural. Darker scenes and shadows appear much more dramatic than real life, though.