Kind Of Blue

Product Information

Issued in "special limited edition" hand-numbered slip-top box, with two foam inserts. Printed in the U.S.A. Williams, Richard (2010). The Blue Moment: Miles Davis's Kind of Blue and the Remaking of Modern Music. Norton. W. W. Norton & Company. ISBN 978-0-393-07663-9.

Miles Davis – Kind Of Blue (2017, Blue, Vinyl) - Discogs Miles Davis – Kind Of Blue (2017, Blue, Vinyl) - Discogs

Canada's Top 200 R&B; albums of 2002". Jam!. Archived from the original on October 12, 2003 . Retrieved March 27, 2022. Everything needed to be said in a short review has been said already; see Fred Kaplan’s comment above. Personally I never heard this record sound so good, it is testament to Bernie Grundman. The combination of Clarity vinyl and the flat profile brings this recording closer to the listener. There is little if any need to for an A/B comparison as it is that good it easily manages to stand up all by itself. If there are any issues, they sit with the physical pressing as mine has some none fill. Still this attains five stars though six would be more accurate but then we would be getting into hyperbole territory. The presence of this record engages the listener from the first to last note. The LōKē subwoofer is handcrafted by the same artisans and professionals who sculpt all Wilson Audio loudspeakers.Larkin, Colin (1994). Guinness Book of Top 1000 Albums (1ed.). Gullane Children's Books. p.91. ISBN 978-0-85112-786-6. Bernstein, Adam (May 25, 2020). "Jimmy Cobb, consummate jazz drummer for Miles Davis, dies at 91". The Washington Post . Retrieved April 17, 2022.

Miles Davis-Kind Of Blue-UHQR Vinyl Record|Acoustic Sounds Miles Davis-Kind Of Blue-UHQR Vinyl Record|Acoustic Sounds

I was hesitating for quite a long time to buy this record, as I already have the MOFI and the MOV version of this album. This is the first UHQR (or any record of that type) that I’ve bitten on and for me it’s clearly obsession. I have the Classic 33 and the MoFi so I’m interested to hear how this one compares. Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Cwik, Greg (September 25, 2015). "Understanding Miles Davis, in 9 Parts". Vulture . Retrieved June 15, 2020.

HiFi Rose RA180

inch Vinyl Record 140 / 150 Gram Vinyl Record 180 Gram Vinyl Record 200 Gram Vinyl Record 45 RPM Vinyl Record 7 inch Vinyl D2D Vinyl Record Low Serial Numbered Vinyl Record Multi-Format Box Sets Preowned Vinyl Record Sealed Out-of-Print Vinyl Record System Set Up Record UHQR Vinyl Record Vinyl LP Box Sets - New & Preowned Preowned Vinyl Box Sets Vinyl Box Sets Vinyl LP with Damaged Cover Vinyl Record Vinyl Record & CD Vinyl Record & DVD Vinyl Record, DVD & CD Vinyl Test Pressing a b c d e Ashley Kahn (2001). Kind of Blue: The Making of the Miles Davis Masterpiece. foreword by Jimmy Cobb. Da Capo Press. pp. 67–68. ISBN 0-306-81067-0. The Making of Kind of Blue: Miles Davis and His Masterpiece bebop. Russell, George (1953). Lydian Chromatic Concept of Tonal Organization. New York: Russ-Hix Music Pub.

Miles Davis - Kind of Blue - 200G Ltd. Edition - Audio Venue

Modal jazz was not unique to this album. Davis himself had previously used the same method on his 1958 Milestones album, the '58 Sessions, and Porgy and Bess (1958), on which he used modal influences for collaborator Gil Evans's third stream compositions. [3] Modal composition, with its reliance on scales and modes, represented, as Davis called it, [3] "a return to melody". [22] In a 1958 interview with Nat Hentoff of The Jazz Review, Davis elaborated on this form of composition in contrast to the chord progression predominant in bebop, stating The RS 500 Greatest Albums of All Time: 12) Kind of Blue". Rolling Stone. Archived from the original on March 17, 2011 . Retrieved August 11, 2008. time. "Flamenco Sketches" consists of five scales, which are each played "as long as the soloist wishes until he has completed the series". [8] However, if you're conservative and start to limit the copies, say 8 mothers per father, 8 stampers per mother, and 800 records per stamper, the yield falls rapidly (51,200). Reality is, I'm sure, all over the map, with different opinions from different producers and plating engineers, and different equipment creating different results. a b "Liner note reprint: Miles Davis— Kind of Blue (FLAC— Master Sound— Super Bit Mapping)". Stupid and Contagious . Retrieved July 27, 2008.

Barcode and Other Identifiers

I have been somewhat meticulous about the releases of KOB and have both a Classic Clarity 33 and 45 RPM release from the 2002 sets. I wonder if I am duplicating my effort? When Shirley Horn insisted, in 1990, that Davis reconsider playing the gentle ballads and modal tunes of his Kind of Blue period, he demurred: "Nah, it hurts my lip." [76] Release history [ edit ] 1986 Columbia Jazz Masterpieces compact disc reissue cover

Best Sounding Version of Kind of Blue | Steve Hoffman Music Best Sounding Version of Kind of Blue | Steve Hoffman Music

I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. Kind of Blue was produced by Columbia staff producer Irving Townsend. [11] : 195 However, over the years there has been confusion, with Davis's subsequent producer Teo Macero getting partial or full credit. "In the case of Kind of Blue there were two producers: Teo Macero and Irving Townsend", said jazz historian Eric Nisenson. "Macero's role, however, was clearly that of an apprentice and observer." The recording session was also cited by Nisenson as Macero's first experience with "the highs and lows of working with Miles." From Macero's own recollection, his involvement in the recording included "box[ing] everyone in so that there would be a physical closeness among the musicians, not like today when the musicians are spread all over the place." [12] According to High Fidelity, "though his role in Kind of Blue has been disputed", the recording was "made under the auspices" of Macero. [13] However, it is Townsend's voice heard on the session tapes, who became Davis's producer after the departures of George Avakian and Cal Lampley. Macero did not produce Davis until after Townsend took over West Coast production duties for Columbia Records, when Macero took his place. [11] : 90 Macero's first Davis production was his next record, Sketches of Spain. [11] : 166 The music is dynamic and the vinyl is cut loudly. Each instrument was easily identifiable, as were their exact locations.Barber, Geoff (October 27, 2004). "1959: A Great Year in Jazz". All About Jazz . Retrieved September 10, 2023. When we're setting up antiskate, we assume we know how hard the vinyl is pulling on the diamond. And it's probably a very reasonable assumption. Using a blank record is an attempt to get around that assumption, but it does not properly account for the diamond geometry. Fisher, Tyler (June 30, 2006). "Miles Davis – Kind of Blue". Sputnikmusic . Retrieved September 10, 2023. Cook, Richard; Morton, Brian (2002). The Penguin Guide to Jazz on CD. 6th edition. Penguin. ISBN 0-14-051521-6.