Joined in 2023 
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Le bruit de fond est moins présent que sur le ntg4+ (même si il est plutôt faible et très correct sur ces deux micros). Hey Art, the shotgun I currently use a Rode NTG-3. As Howard has described, this is is Rode's answer to the venerable 416. It's not as good, but pretty close at roughly half the price. With a 10 year warranty! I also have a ME66, but rarely use it these days, except as an audience ambiance/applause mic. The Sennheiser MKE 600 shotgun microphone is the perfect choice for all of your recording needs! It has just about professional performance, at an affordable price. You won't find another mic that will perform as well or sound any better than this one in its range - it's truly amazing what they're able to do with such simple technology these days. The Sennheiser IE800 is a step up from AT897 in so many ways. For one, its lower end roll off point at 100 Hz has been outsmarted by the clever design of this headset. This means you can hear sounds better without having any harshness or distortion on top-end frequencies like what's found with other manufacturers' lower audio cutoffs (200Hz). The "low cut" switch sets everything to 200Hz which will make sure your favourite bass lines still come through nicely while also staying safe around potential safety hazards such as machinery operation nearby where sound travels easily.
While the MKE 600 and 200 cater to different needs and it would be unfair to directly compare them to one another, it serves as a reference to the Sennheiser MKE 600’s ability to handle more complex environments with less dramatic falloff the further away you are from the mic. The best audio would probably be a balanced line level output from the mixer (although of course the ATEM doesn't have a balanced input, so you'd need to convert it). The best microphone in the world on the camera is not going to be as good as a microphone that's right in front of whoever is speaking. The 416 is THE short shotgun that all others have been and will be compared to, my untrained ear can't tell the difference between this mic and the NTG 3. But to be perfectly frank, unless a whole film is shot in the same location, it's unlikely one mic will provide everything you need for a narrative feature film. Or doco for that matter. Even in the one location you'll probably want a couple of mics to help with the mix. Besides, so much of the sound magic happens in post anyway.Many will find the MKE 600’s versatility as an on-camera and fixed sound setup an attractive proposition compared to larger and more expensive audio mic alternatives. Sennheiser MKE 200 A large tubular capsule design of the MKE 200. Buy Sennheiser Sorry Benton, but I've got to qualify here. This statement, and those that have stated this previously in this thread, is simply wrong. To say you can't use shotgun mics for interior work, simply isn't true. The Sennheiser MKE600 is one of the top-quality microphones from this company, an ideal video camera microphone that can be attached to a boom or for use with your own device. It has been designed so you're able record in any situation and will never miss capturing unique moments again. If there’s one manufacturer that comes to mind when you bring up shotgun mics, it’s Sennheiser. With the Sennheiser MKH 416 serving as an undeniable industry standard, it’s no question that the company has become the go-to for sound engineers and crew in the film and TV industry. With a lightweight yet durable design, incredible sound, and all-around fantastic quality, the MKH 416 has proven its quality again and again. As for the speaker outputs, directly from the mixer they ought to be line level, which would be fine. But you certainly don't want to take the amplified signal that is being sent to the speakers. Also, you'd need to split the signal, which may degrade the quality. The mixer ought to have other outputs that you could use instead of the speaker outputs. It's a matter of setting up the mixer so that the signal is routed appropriately.
Why can't I get the adjustable volume Headset outlet to work? I have tried setting the ATEM to line and mic with a very loud hum and no usable sound. I've even used it to mic a guitar amp cabinet while the drums were playing with about 0,5m of space in between but I placed the mic at a 90 angle from the drums with the low-cut on and the recording was almost completely clean.A single battery charge is said to provide up to 150 hours or just over 6 days of continuous use. Note, that there’s no auto-power-down feature. Power and low-cut filter switch are the only buttons on the MKE 600 itself. Shotgun mics may not be the most popular option in a home or studio setting, but they lead the way when it comes to recording in field conditions. So named because of their elongated shape— visually similar to a shotgun barrel— these mics are used for capturing dialogue and sound effects with focus and quality. They usually have excellent noise rejection, and are able to zero in on the sound source near-perfectly.
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