Olympus LS-P4 HI-RES Audio Recorder with TRESMIC 3 Microphone System, Integrated Bluetooth, USB Connector, 2-Mic Noise Cancellation, Fade-In/Fade-Out, Trimming/Overdubbing Editing and 8 GB MemoryT

Product Information

It’s just very playable. To me, it’s the best tone that we’ve had from a live show to date”: Sterling By Music Man debuts affordable new signature StingRay for Fall Out Boy’s Pete Wentz We tested the LS-P1 with a mixture of speech and music sound sources, and found that selecting a Manual recording level and using the Limiter gave the best results. Automatic recording resulted in some clipping and distortion when recording music.

Olympus LS-P4 Podcaster Bundle LN108824 - V409160BE020 - Scan

Recording “scenes”— both handle 7 types of situations (lecture, conference, music, etc.), the LS-P5 adds two custom scene settings. With the current pandemic my tests were in the home and my garden, I managed to find a windy day and the wind muffler certainly helped reduce noise. I can report that the Rode mic (mono) actually provides a signal to both channels on the Olympus LS-P4. There is no need for an adapter, nor to duplicate channels in Audacity. I think that there is a setting for plug in power in the menu, ideally this should be off for your current set-up but shouldn't be a problem if left on.Did I have the recording level too high? Is there some sort of limiter that is producing the sound? Is the mic just no good for this? I don't want a large microphone at the moment, but I am prepared to spend more on a better one. Built-in memory for recording is doubled from 8 GB to 16 GB, and the microSD-based external memory capacity explodes from 32 GB to 2 TB (!). We’ve omitted covering a range of other features on the LS-P1 that will be more relevant to other types of user – people recording meetings, lectures and conferences, for example, who will often perform basic editing and file management on the device.) Build and handling The ME66 that Marc uses is of course far superior, bigger, and more expensive, you pays your money....

Olympus LS-P4 HI-RES Audio Recorder with TRESMIC 3 Microphone

Many parabola mics use lavs or other small omnis in them. They can distort sound a fair bit, and change the frequencies, depending on the geometry and size. But they can have pretty high gain too. I'm reading about the Zoom products, and why field recording buffs are using them rather than the equivalent products from other manufacturers. It appears that the noise floor of H4n Pro and H5 is low compared to similarly-priced products from other competitors.

Now I'm confused. I bought the cables with unbalanced connectors, due to the recommendations of people posting in this forum. However, now I've learned that the K6 power module has a xlr connection that is balanced. That means these unbalanced cables might not work. I guess I really need a cable that has a balanced xlr connector on one end, and an unbalanced 3.5mm plug on the other end? Vloggers or videographers can attach the LS-P1 to their camera hot shoes via the included adapter. A screw thread adapter facilitates connection to the rear of the unit; the other end slides into the hot shoe and is tightened via a screw clamp. Result far more birds with clear recognisable song than heard before and no noise. Target was a large yew with a rooks colony a few hundred metres behind it.