Puss in Boots: The Last Wish

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Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about? How to Draw the Purrfect Pawtrait (2160p, 11:53 total runtime): Directors Joel Crawford and Januel P. Mercado demonstrate how to

doctor offers him some sage advice: retire rather than risk his last life on adventure. That's sour milk to Puss' ears, but when he finds himself In listening to the Dolby Atmos surround mix I found it to be of the active variety that makes steady use of the platform. Its use of audio objects placed above is a mix of atmospherics, music, and discrete sound effects. This is done very well and creates a tangible level of immersion that coincides with the onscreen events nicely. The mix effectively places effects/sounds within the soundstage adding an enriching element that heightens the intended feeling like something is passing overhead, traveling through the room, or emanating from a specific location. Low Frequency Extension: The subwoofer rumbles and bumps with good power from explosions, glass shatters, bursts of magic, large things rolling and stomping, punching and more. For its presentation in Ultra HD Puss in Boots: The Last Wish is rendered from a 2K DI and up-converted to 4K. This is a great looking Ultra HD presentation that makes the most of the film’s digitally sourced imagery.

because this sequel is every bit as spunky and lively as its predecessor, building a solid story within a great art style that sees the world come to life Dialog is crystalline with appreciable tonal inflection and non-sibilant vocal character. The auditory is rich in clarity and detail which allows the subtle environmental sounds in the recording to easily be heard. The mix creates an immersive surround sound experience that achieves excellent balance which correlates nicely with the events transpiring onscreen. Low frequency effects are solid and when called upon engage the room with palpable low-level bass. This is an involving surround sound mix that makes for an entertaining audio presentation.

more a product of the HDR color grading and less the 2160p resolution. The HDR grading certainly offers a deeper overall color spectrum. The image is Audio Commentary– with Director Joel Crawford, Co-Director Januel Mercado, Producer Mark Swift, Editor James Ryan and Head of Story Heidi Jo Gilbert the cutting-edge photorealism of most of today's digital animations -- again that is by design -- the Blu-ray brings out the finest textures, with plenty of props and clothes are meticulously revealed; the 1080p resolution is plenty to satisfy the film's demands. Colors are rich and bold as well, capturing the How to Draw the Purrrfect Pawtrait– Join Director Joel Crawford and Co-Director Januel Mercado as they teach us how to draw our favorite characters.Video Disclaimer: Screen captures used in the review are provided courtesy of Universal Home Entertainment, not the 4K UHD Blu-ray disc.

decade-long hiatus between films. The familiar vocals instantly draw the audience into the world and, with a blend of new and returning actors on Kitty Cam (2160p, 14:28): Images of real-life cats at play, and it's much better than similar, dedicated content like this. Deleted Scenes (2160p, 7:57 total runtime): Included are Potty Break, Love and Death, and Wall O'Snakes. Also Calibrated with Calman color calibration software and Portrait Displays C6 HDR2000 colorimeter from Portrait.com)

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After a decade-long wait, DreamWorks Animation presents an all-new adventure in the Shrek universe with Puss in Boots: The Last Wish from Universal Pictures Home Entertainment. How to Make a Paper Perrito (1080p, 7:14): A fun craft project for the whole family, with instructions by Puss in Boots himself. In the Beginning (2160p, 9:12): Cast and crew talk up the original Shrek and Puss in Boots films that introduced the character was the last time a feature film of Puss in Boots was available, leaving a very wide gap in between with a TV series that lasted a few seasons, but little impact made with the character since. It’s certainly not unusual as Pixar also eventually caved and made sequels to some of their biggest and most-respected films, many of which are now considered classics in their own right. In the case of The Last Wish, it’s a nearly 180-degree turn from its predecessor. The original film was more of what you’d expect from DreamWorks Animation with lowbrow humor and characters that have just enough substance to get you through thinly-constructed stories to hang cute characters and modern references on. The Last Wish tosses nearly all of that out the window for something deeper and more meaningful. It’s a story that not only has some teeth, in the form of scary images and occasional blood, but very human, very adult concerns and thematics. The fear of getting old and facing death is universal, and none of the characters in the DreamWorks world have ever had to do that, not to this degree. Puss is terrified by Wolf, as he should be. He’s incredibly menacing and narrow-minded with a single purpose. He’s resolute, can’t be reasoned with, and waits in the shadows for Puss to fall into his clutches. In other words, he’s a Grim Reaper of sorts, and he’s portrayed as such.