Lust of The Dead: Trash Terror Trilogy [Blu-Ray]

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Starring – Asami (Gun Woman, Dead Sushi), Yui Aikawa (Missing 55, Lust of the Dead), and Maki Aoyama (The Outsider, Scissorpenis) The 2009 production Vampire Girl vs. Frankenstein Girl ( 吸血少女対少女フランケン, Kyūketsu Shōjo tai Shōjo Furanken) brought together an ensemble of Japanese gore and action talent. Tomomatsu co-directed with Yoshihiro Nishimura, the director of Tokyo Gore Police who also did the special effects for The Machine Girl. The fight choreographer was Taku Sakaguchi who had previously worked with Nishimura on Tokyo Gore Police and Meatball Machine and directed his own Yoroi: Samurai Zombie. The screenplay was written by Tomomatsu and his one-time boss Shungicu Uchida, based on her manga of the same name. [17] [18] The movie had its world premiere as a Centerpiece Presentation at the New York Asian Film Festival on June 26 [19] and opened in Japan August 15, 2009. [18] The women are all relatable and interesting in unique ways, and the way they band together to protect each other is, for the most part, endearing and sincere. A personal favorite moment for me was the army distributing weapons to local girls by way of a community cookout/shooting range. Women share food, take selfies, and cheer each other on as they practice their aim on rape zombies sporting bullseye speedos. It’s a beautiful moment of sisterhood and coming together for a common goal, and I don’t have one bad thing to say about it. Based on the title alone, I anticipated Rape Zombie: Lust of the Dead (2012) to be a rough watch. You have to admire a film that wears its plot on its sleeve, and with DVD box art bursting with cheesecake, there is little mystery as to what kind of exploitative nonsense will be thrown on the screen. Rest assured, this movie completely delivers on its promise of zombies, rape, and pretty girls in cute costumes, so there shouldn’t be many surprises on what kind of film it will be. And yet…

Spoiler Alert**The film follows a group of females who are trying to survive after the world is overrun by toxic males who want nothing more than to rape women. Many females group together to survive but soon the toxic men start to outnumber the women. Soon a nuclear bomb goes off and many of these men perish but those that survive are now severely burned and rotting with an insatiable appetite for women…in more than one way.**Spoiler Alert**That was basically it, the entire movie wrapped up in a short summary. The storyline is entertaining enough in its oddity and absurdity. But it can only carry the movie so far, because there is little else to keep the movie afloat. That is, unless you are into soft core Japanese pornography and really awful zombie make-up. Tomomatsu was born in Osaka, Japan in 1967. He was interested in manga and film from high school and started working as an office assistant to manga artist Shungicu Uchida. In 1992, he wrote his first screenplay for Shintōhō Eiga's pink film The Pregnant Woman (ザ・妊婦). His first film as a director was the independently produced Summer Color Romance ( 夏色浪漫, Natsu shoku rōman) in 1992 but he made his debut as a commercial director in 1993 for ENK (ＥＮＫプロ) with the film Baraado ni idaka re te (バラードに抱かれて), for which he also wrote the screenplay. [1]

You'd think these movies would be dumb and crass when in fact they're oddly smart..........and crass. You see the mythology and social commentary behind them is remarkable, it's deep, it's insightful and manages to be both misogynistic and misandric at the same time. Tomomatsu mixed genres with his pink film-thriller-gangster movie Kogyaru-gui: Oosaka terekura hen (コギャル喰い　大阪テレクラ篇), known in English as Eat the Schoolgirl or Eating Schoolgirls: Osaka Telephone Club, released in Japan March 10, 1997. [2] [3] The film, which Tomomatsu directed and co-wrote, follows two young men working for the yakuza, one of them a telephone-sex addict, the other gets sexual gratification from killing while dressed as a schoolgirl. A reviewer described it as "one depraved sex scene after another". [4] It was also released as a DVD in May 2004. [5] Rape Zombie inherently has a fascination with rape imagery that often bleeds into sheer exploitation, which is often hard to watch. But the strength and resolve of the surviving females is vivid and deeply felt. Their grace and tenacity shines even more in contrast to the gross ferocity of the zombies. I knew this film was going to be trashy and offensive but I was expecting to find off the wall story like Helldriver, The Machine Girl, Tokyo Gore Police, and so on. Sadly, this film was nothing like that and just felt like a no budget mess with sexy women scattered throughout.The acting in this one is, as you already guessed, very weak and not that entertaining. The cast does come to life during the nude scenes but aside from that they sizzle and fade out. I assume that the cast was getting paid in peanuts because no one is putting forth any real effort. place Maid-Droid as Rōjin to Rabudōru: Watashi ga Shochō ni Natta Toki ( 老人とラブドール　私が初潮になった時, lit. The Old Man and the Love Doll: The Time of My First Period) (Tomomatsu was named Best Director for this film) As a zombie film this is a total failure, the shuffling undead (moving slowly because their trousers are round their ankles?) look really cheap; as soft-core titillation, it's a little more successful, with plenty of female nudity (as the zombies get their rape on) and some girl on girl sex to set the pulse racing. Spoiler Alert** The film, once again, follows a group of female survivors who have barricaded themselves inside of a compound while the rest of the city is under siege by men infected with a virus that turns them into raping and flesh eating fiends. While trying to find a cure they accidentally bring in a man that showed no signs of infection. Later he turns and starts raping his wife and compromises the compound from the inside while the horde of zombies and uninfected men who think they are superior to women try to get in. **Spoiler Alert** This does present a slight tone problem, especially when talk of a prophecy involving a sun goddess and immaculate conception comes up and throws this whole thing completely off the rails. But it’s hard not to have a tone problem with the horrifying act of rape contrasted with a villain that comes waddling at you with his pants around his ankles.