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The angels drift and muse, especially in the lovingly photographed Berlin State Library, and surely no library was ever so passionately captured on film. They come across Homer himself (Curt Bois) who wants to get the city down on paper. There is an extraordinary sequence in which they wander through the Potsdamer Platz trying to remember what it was once like: in 1987 this was still a wasteland, a vacant lot, and almost rural gloaming of nothingness. Kringelbach, Morten L. (May 2, 2006). "Searching the brain for happiness". BBC News. Archived from the original on October 19, 2006. Melodrama… is Hollywood's fairly consistent way of treating desire and subject identity", as can be seen in well-known films such as Gone with the Wind, in which "desire is the driving force for both Scarlett and the hero, Rhett". Scarlett desires love, money, the attention of men, and the vision of being a virtuous "true lady". Rhett Butler desires to be with Scarlett, which builds to a burning longing that is ultimately his undoing, because Scarlett keeps refusing his advances; when she finally confesses her secret desire, Rhett is worn out and his longing is spent. Theories of desire aim to define desires in terms of their essential features. [1] A great variety of features are ascribed to desires, like that they are propositional attitudes, that they lead to actions, that their fulfillment tends to bring pleasure, etc. [2] [3] Across the different theories of desires, there is a broad agreement about what these features are. Their disagreement concerns which of these features belong to the essence of desires and which ones are merely accidental or contingent. [1] Traditionally, the two most important theories define desires in terms of dispositions to cause actions or concerning their tendency to bring pleasure upon being fulfilled. An important alternative of more recent origin holds that desiring something means seeing the object of desire as valuable. [3] General features [ edit ]
City of Desire: List of Redeem Codes and How To Find More of City of Desire: List of Redeem Codes and How To Find More of
Gender, Desire, and Sexuality in T. S. Eliot. Edited by Cassandra Laity. Drew University, New Jersey. Nancy K. Gish. University of Southern Maine ( ISBN 978-0-521-80688-6 | ISBN 0-521-80688-7)
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This section needs additional citations for verification. Please help improve this article by adding citations to reliable sourcesin this section. Unsourced material may be challenged and removed. Sigmund Freud (1856—1939)". The University of Tennessee, Martin. March 11, 2012 . Retrieved January 16, 2018. Berridge, Kent C. (2018). "Evolving Concepts of Emotion and Motivation". Frontiers in Psychology. 9: 1647. doi: 10.3389/fpsyg.2018.01647. ISSN 1664-1078. PMC 6137142. PMID 30245654. a b c d e f Honderich, Ted (2005). "desire". The Oxford Companion to Philosophy. Oxford University Press.
Desire paths: the illicit trails that defy the urban planners Desire paths: the illicit trails that defy the urban planners
Sandkühler, Hans Jörg (2010). "Person/Persönlichkeit". Enzyklopädie Philosophie. Meiner. Archived from the original on 2021-03-11 . Retrieved 2021-05-04. Cathy Cupitt, Eyeballing the Simulacra Desire and Vision in Blade Runner". Archived from the original on October 22, 1999 . Retrieved 2017-03-29. {{ cite web}}: CS1 maint: bot: original URL status unknown ( link) Thomas Hobbes (1588–1679) proposed the concept of psychological hedonism, which asserts that the "fundamental motivation of all human action is the desire for pleasure." Baruch Spinoza (1632–1677) had a view which contrasted with Hobbes, in that "he saw natural desires as a form of bondage" that are not chosen by a person of their own free will. David Hume (1711–1776) claimed that desires and passions are non-cognitive, automatic bodily responses, and he argued that reasoning is "capable only of devising means to ends set by [bodily] desire". [49]
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a b c d e f g h i j Pettit, Philip. "Desire - Routledge Encyclopedia of Philosophy". www.rep.routledge.com . Retrieved 4 May 2021.
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